Religulous (2008)
March 18, 2009
DVD, Seattle, WA
**
½ / ****
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By Scott Muoio
Religulous is streamlined provocation with the sole
intent of showing how ridiculous it is to believe in the tenants of organized
religion. Bill Maher is the host and travels
around the world interviewing swaths of the righteous on their own turf, a bold
move that takes him to Jerusalem, The Netherlands, Salt Lake City, an Arkansas
senator’s office, a couple of religious theme parks, and a curious shop where a
Jewish man invents devices to sidestep Sabbath regulations. Occasionally respectful, mostly determined
to insight, and loaded with slanderous jokes and witty edits, Maher’s arguments
against the logic of religion are plain, simple, and effective. Maher’s main strategy is quoting passages
from his targets’ favorite holy books, which not surprisingly, is enough to
topple the logic of most if not all major religions’ theological straw
men. Yet somehow, someway, Maher’s
urging the righteous to embrace doubt rather than blind faith falls on deaf
ears, and the believers continue to, well, blindly believe.
But why? Why in the face of logic, common sense, and
a camera in their face do senators, ordinary citizens, entrepreneurs, and
supposed holy men cling to stories that are cribbed from the past, logically
impossible, and which defy everything we know about common sense? Unfortunately, if you expect any lip service
for that particular question Religulous will
leave you sadly disappointed.
One of my biggest
gripes with intentionally aggressive movies like Religulous is that they
rarely if ever give a fair and useful rebuttal from “the other side.” Sure,
Maher is effective at making us laugh at the oddity of holy ghosts, virgin
births, self-proclaimed saviors, the excessive wealth of holy men, and on and
on, but where he falters is in failing to create a dialogue between the
believers and the doubters. It is
obvious that the fables propping up religious doctrine are self-evidently
ludicrous, and really there is no need to defend them. Even two Vatican employees agree with Maher
that the historical relevance of The Bible is questionable if not very
inaccurate, but that isn’t the point. Rather,
a discussion of faith instead of belief is of the utmost
importance, and on that front Maher fails to engage his interviewees even for a
moment.
The other big
problem with the film is that Maher eventually climaxes with a five-minute
destruction and terror montage that “proves” religion is literally destroying
our world and its people. It is hard to
defend the notion that religion isn’t part of that problem; after all,
religious flags are often literally and figuratively flown at the scene of many
catastrophes. Maher’s error is that he
misses the human lust for power, money, and control that is the true root of
most evil and the main problem with religion in general. Religion may be part of the problem, but
the true cause of our society’s downfalls are human
instincts left untethered to create organized religion in the first place.
In my opinion,
religion is merely the smoke and mirrors confusing us as to the real evil in
our world. It is also a security
blanket for the insecure, an answer for our questions that seem to have none,
and a way for us to be satisfied for our lot in life when hopelessness is at
its strongest. And often that isn’t
such a bad thing.
Self-interest,
greed, and the abundance of governments that promote the lust for power, money,
and control while preserving the power elite, these are the true destroyers
of our world and its people. And
unfortunately, Religulous is so bent on slandering religion it misses
the bigger picture.
For those unwilling
to question their own beliefs Religulous will most assuredly be roundly
offensive. But that is the problem of
the viewer, not the movie’s subject matter.
For everyone else, Religulous is a fun anti-religion romp that
fills in a few gaps in our comparative religion studies without ever venturing
beyond the cursory. As a film about religion, however it brings little
insight, new ideas, or balance to the proceedings. Therefore, for the curious, the righteous, and the skeptics I
can’t quite recommend the film. For
Maher aficionados like me it is good enough yet still not representative of
Maher at his best, only his most aggressive.
I know Bill is better than that.
Producer: Bill Maher, Johan Smith, Palmer West
Starring: Bill Maher
Copyright 2009, Scott Muoio and Undependent Media. You may link to this review but may not reproduce it in full for your own means.