The Secret of My Success (1987)
November 19, 2008
On Demand, Seattle,
WA
*** / ****
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By Scott Muoio
Only in the world of
‘80s cinema can a movie’s “secret” be that Brantley is Whitfield and Whitfield
is Brantley. And only in the 1980s
could “success” be defined by sleeping with one’s Aunt, faking one’s way out of
the mailroom and into the executive lounge, and finally pulling one over on
your sleazy, womanizing Uncle and Herman
Munster while liberating the “suit” hating mail boy into wearing a suit,
himself. Yet that is precisely the case
in the crudely funny Michael J. Fox screwball comedy corporate love story
bonanza, The Secret of My Success.
So here’s what
happens:
Twenty four year old
Brantley (Michael J. Fox) leaves small town Kansas for New York City in the
hope of making lots of money and “doing something with his college
education.” Once he arrives in The Big
Apple, Brantley makes contact with his tyrannically slimeball Pembco
conglomerate CEO Uncle, Mr. Prescott (Richard Jordan). One thing leads to another, Prescott throws
the kid a bone, and Brantley lands a job in the mailroom. What ensues is the fastest rags to riches
story in cinematic history.
While keeping his
job in the mailroom Brantley pulls the old Superman changing in the phone booth
routine posing as a junior executive named Whitfield, making his play for the
only female executive in the company (Helen Slater), and somehow figuring out
every aspect of the immense Pembco beauracracy in less than two weeks. And like those subsequent classic ‘80s
farces (think Weekend at Bernie’s and
Working Girl), the charade only lasts
so long before everyone in the company is hot on the trail of the requisite
Whitfield, or is it Brantley?
The pitiful
realities of big business are always ripe for farce and Success slides its way into funny corporate folly. Any modern review of The Secret of My Success is sure to snub its nose at the film’s
dated ‘80s look, feel, and chauvinistic outlook on romance and working one’s
way up the corporate ladder. And
indeed, those factors are key to the film’s ridiculousness. Yet it is precisely those obviously
offensive stumbles that are responsible for Success’s
undeniable cuddliness in the face of all we’ve pretended to overcome in the
realm of love and business.
While generally lingering
on slapstick, the casting and performances make the stereotypical script much
more enjoyable than it has any right to be. Michael J. Fox as Brantley expertly channels
Three’s Company’s Jack Tripper (John
Ritter) providing the necessary boyish silliness Ritter made famous with his
innuendo, misunderstanding, and physical comedy shenanigans. Margeret Whitton as Aunt Vera matches Fox with
her feisty chutzpah as the long neglected, old money trophy wife with a twist
who is not afraid to get what she wants when she wants, everyone else be damned. And Richard Jordan as Mr. Prescott is a suitably
cranky, conniving, and clueless almost-foil who perfectly balances the others’
flamboyant antics with his own brand of earnest dimwittedness. Along with the robotically alluring Christy
Wills (Helen Slater), the female exec. both Brantley and Prescott have the
hots for, the quartet carry the laughs from the first frame to the mind bogglingly
absurd conclusion.
Too idiotic to
believe, too goofy to take serious, and too feverish to catch its breath (save
the inevitable overdramatic ‘80s interludes) Success is go with the flow, suspension of disbelief fun that gets
more entertaining the more you’re able to loosen your collar and laugh at its
ludicrousness. With tracks by Night
Ranger, Katrina and the Waves, and Yello holding the whole package together,
there should be enough insanity to entertain almost anyone even twenty years
after the fact. And when it comes to
sitting back, relaxing, and enjoying the ride, The Secret of My Success is a joy to behold.
Director: Herbert Ross
Producer: Herbert Ross
Writer: AJ Carothers, Jim Cash, Jack Epps, Jr.
Music: David Foster
Starring: Michael J. Fox, Helen Slater, Richard
Jordan, Margaret Whitton, John Panckow, Fred Gwynne
Copyright 2008, Scott Muoio
and Undependent Media. You may link to this
review but may not reproduce it in full for your own means.